Rational Acoustics

March 19th, 2016, 11:32 AM
There appears to be a lot of controversy regarding the workings of the L-Acoustics cardioid configuration. It's been suggested that it is achieved by means of all-pass filters. Is it a gradient or end-fire solution? In part 1 of this series of articles I will try to explain what I have come to think of as a hybrid approach.

Click here (https://www.merlijnvanveen.nl/en/study-hall/112-la-cardioid-deconstructed-pt-1) to read the article.