• Use to adapt an RCA phono jack to an XLR input
• XLR pin 3 is grounded resulting in an unbalanced signal Learn More

• Use to adapt an RCA phono jack to an XLR output
• XLR pin 3 is grounded resulting in an unbalanced signal Learn More

• Use to connect gear with XLR outputs to gear with phono inputs
• XLR pin 3 is grounded resulting in an unbalanced signal
• May be used to connect pro audio gear to consumer audio components
• Length 3 feet Learn More

• Use to connect gear with XLR outputs to gear with phono inputs
• XLR pin 3 is grounded resulting in an unbalanced signal
• May be used to connect pro audio gear to consumer audio components
• Length 3 feet Learn More

• Use to connect gear with XLR outputs to gear with unbalanced 1/4" phone inputs
• XLR pin 3 is grounded resulting in an unbalanced signal
• The low output impedance must be matched to the high input impedance
• Length 3 feet Learn More

• Use to connect gear with XLR outputs to gear with unbalanced 1/4" phone inputs
• XLR pin 3 is grounded resulting in an unbalanced signal
• The low output impedance must be matched to the high input impedance
• Length 3 feet Learn More

• Use to eliminate ground loops
• Pin 1 is lifted
• Ideal for eliminating interference associated with ground loops Learn More

• Use pad down a high level signal for a low level input or add an attenuator to a dynamic microphone.
• Features selectable -20 dB, -30 dB, or -40 dB attenuation Learn More

• More properly called a polarity reverser
• But who are we to judge
• Use to reverse the polarity of a microphone or balanced line-level signal
• Pins two and three are crossed
• Ideal for eliminating phase-related interference Learn More

• Use to match 200 Ohm output impedance to 50K input impedance
• A built-in transformer minimizes signal reflections
• Preserves a balanced connection on the XLR side Learn More

• Adapts an XLR female connector into an XLR male
• Provides connection between two female type connectors Learn More